I have been a fan of Steph Post since I read her debut A Tree Born Crooked a couple of years ago. With her sophomore novel Lightwood, Post reminds us that she is an amazing talent who has claimed her position in the southern noir genre.
Judah Cannon is released from prison, and there’s no one there to pick him up. He’s disappointed but not surprised. His life has never been fairy tale.
He walks to the bar he frequented as a younger man, where he runs into his best friend/unrequited love interest Ramey. Seeing Ramey gives Judah a rare glimpse of optimism. Maybe he can have a normal life.
But Judah’s father Sherwood won’t allow it. He needs Judah for the family business. The same business that landed Judah in prison.
Judah doesn’t see denying Sherwood’s request as an option. So he goes along with the “simple” heist. But before he can settle in with Ramey and the newly acquired cash, Judah and the Cannons find themselves involved with a ruthless biker gang and a lunatic Pentecostal preacher named Sister Tulah. When Judah’s little brother Benji becomes the innocent victim of the Cannon’s greed, Judah makes it his mission to get revenge on everyone involved.
The setting is so strong you almost feel sweaty reading about the oppressive Florida heat. All of the characters, even the ones who are only bit players, are fully formed and genuine. Though Judah and Ramey are the obvious protagonists, it’s impossible not to become invested in each character’s fate.
Post’s stories are rich with family legacy and personal struggle. A Tree Born Crooked was Post’s introduction, and Lightwood is evidence that Post is headed for a long, successful career.
The documentary opens with a dewy-eyed Winona Ryder on the microphone at some event, gushing about her love for JT LeRoy. But who is JT LeRoy?
I remember hearing about literary darling JT LeRoy some time in 2001 from one of my friends who is more aware of artistic trends than I’ve ever been. The buzz was interesting even in Arkansas. LeRoy’s novel Sarah, meant to be an autobiographical account of his truck-stop prostitute mother, was published 1999. JT claimed to be a former prostitute himself, pimped out by his mother to men who preferred “boy-girls”. He was HIV positive and a former heroin addict. With his emergence onto the literary and Hollywood scenes, it had the makings of a fairytale. And that’s exactly what it turned out to be.
The character of JT LeRoy came from the mind of Laura Albert. She was depressed and called a suicide hotline. “Terminator” spoke to Dr. Owens, and Laura presents it like she was a conduit to this troubled young man who needed his story heard. According to Albert, she started calling suicide hotlines and pretending to be a boy when she was a young teen living in an abusive environment. She felt she got more support when she presented the trauma as if she were a boy.
Dr. Owens suggested that Terminator start keeping a journal to deal with his feelings. Along with Dr. Owens’ help, Laura learned that Terminator’s real name was Jeremy.
Meanwhile, he/she managed to reach out to Dennis Cooper and land his agent Ira Silverstein. Silverstein felt that he had found a fresh, new voice.
LeRoy initially refused to do readings, claiming that he was too shy. So other people would join in to read for him. But eventually that wasn’t enough. So Laura Albert enlisted her boyfriend’s sister, Savannah Knoop to play JT. Savannah had an androgynous look, and Laura added giant sunglasses and a blonde wig to complete the costume. Laura added the characteristic of trans to JT’s story. The high voice and hairless face were attributed to hormone therapy.
Laura always felt like an outcast, and now she was suddenly a star. Only no one knew it. And she was still struggling with her weight and self-esteem, along with childhood trauma. To insert herself into the JT LeRoy narrative, she started speaking with a British accent and presented herself as JT’s assistant and best friend, Speedie. Geoff, Laura’s partner and Savannah’s brother, was a part of JT’s entourage as well. He went by the name Astor.
JT LeRoy’s rise was fast and furious. He became a star- a society darling, fashion icon, literary star. And that’s when Albert’s make-believe character really became self-aware. Or she put it, “her Barbies came to life.” Which was a strange way to put it since she mutilated her Barbies as a child. Savannah got to hang out with actors, rock stars, authors, directors. Gus Van Sant hoped to adapt one of JT’s books.
A raccoon penis bone-a reference to truck stop prostitutes-became the symbol of JT’s cult. There is a photo of U2’s The Edge wearing one on a necklace. LeRoy’s champions included Bono, Billy Corgan, Courtney Love, Michael Pitt, and Eddie Veder.
The Heart is Deceitful Above All Things (LeRoy’s second release) was made into a movie that got into Cannes. Savannah (as JT) is invited to sit on a panel, while Laura and Geoff had cameos in the film but they were cut.
Rumors flew that Dennis Cooper or Gus Van Sant wrote the books, but eventually people started to realize that it was probably Speedie pulling the strings. A high school friend of Geoff’s was eventually the whistle-blower.
New York Magazine’s Stephen Beachy broke the story in 2005. Celebrities came to JT’s defense. More stories followed, but Albert dug her heels in, other than admitting the truth to Billy Corgan and David Milch.
But once a photograph of Savannah surfaced, denial was no longer an option. Savannah and Laura were determined to stay quiet, to not give the media what they wanted. But Geoff spilled everything.
Laura Albert insists that JT LeRoy was never a hoax. JT LeRoy was very much real to her without being a physical presence. And that’s perhaps where the lines got blurred. She didn’t write the stories of JT LeRoy knowing that she would have to produce a real person. But when the time came, she did so instead of admitting the truth.
Each book was categorized as fiction, but was understood to be based on JT LeRoy’s life. So yes, she was deceitful. But she also gave the people what they wanted. Though it’s obvious that JT LeRoy’s backstory helped Laura Albert get the work published, she insists that wasn’t her intention.
In Author: The JT LeRoy Story we get Albert’s story firsthand. From her troubled youth all the way to the make-believe that got away from her. It’s interesting to watch, though somewhat voyeuristic considering that much of the material focuses on recorded phone conversations in which celebrities didn’t know they were being recorded.
The question remains: was JT LeRoy an elaborate hoax or a work of fiction that came to life? Given Albert’s history with telling the truth, this documentary does not give a satisfactory answer.
I’ve been blocked lately. Historically I don’t stay blocked long, but this time is different. I wish there was some kind of Miralax for the writer’s soul.
It started in October. I had overdosed on news and my creativity started to suffer. I eventually turned a corner in November and started up again. But lost it all in January. Sometimes the words come to me, but not consistently enough to finish anything as quickly as I’d like.
Fortunately the work I have created doesn’t go away. It waits for me while I stare at the blank page or binge watch TV in the name of dissecting story arcs. Honestly though, I don’t know where most of my time goes. It’s slipping away without leaving clues that it was ever here.
I’m currently in a workshop led by the amazing Ariel Gore. Ideas seem to be loosening up again. And May is usually a creative month for me. Hopefully it’s time to turn things around. But first I really do have to turn off the news. I have to let go of the threat of nuclear war, the dissolving relationships with our allies, the civil rights issues, and the threats to the first amendment. But if I do that, I’m not being a responsible citizen. So maybe I just need to compartmentalize. I need to shove all of my worries in a drawer in my brain until writing time is over every day.
Writing is extremely therapeutic for me. So not writing only makes the stress worse. If I’m not thinking about story ideas, I’m mentally listing the items we need for our make-believe basement bunker.
So I’m going to just keep trying. Every single day. My voice isn’t gone, it just needs some help getting out.
On the Bricks was released by Pandamoon Publishing out of Austin. One of the things that makes Pandamoon different from larger publishers is that we are a close-knit group. This includes the authors, editors, publishers, artists, and PR staff. Thanks to the internet we interact daily. And now, several of us are taking it to real life.
This weekend we are meeting at C2E2 in Chicago. C2E2 is a fan convention for comic books, graphic novels, video games, pop culture, etc. On the Bricks is not typical con fare. But I couldn’t miss the opportunity to hang out with my fellow Pandamoon authors. If I sell a few books, that will be a bonus.
We’re also having a pitch party, so if you’re in the Chicago area and would like to pitch your book in person, stop by on Friday or Saturday. Or just stop by to meet some awesome authors and buy a few books. I’ll be at booth 142 with David Valdes Greenwood, Christine Gabriel, Elgon Williams, Alisse Lee Goldenberg, Meg Bonney, and Dana Faletti. See you in Chicago!
Where: C2E2 Booth 142, Pandamoon Publishing, South Building at McCormick Place, 2301 S. Lake Shore Drive, Chicago. (Note: Ticket to convention required, purchased separately)
When: April 21 1PM & 4PM; April 22 1PM & 4PM; April 23 11AM & 1PM
How: Sign-up starts at 10AM each day; maximum 20 pitches per slot. Stop by Booth 142 and sign up for one slot only. If you are signing up for a different day, you must show your pass is good for that day. When all slots are filled, sign-ups end.
What: Pitch your novel in a genre represented by Pandamoon Publishing. (No plays, screenplays, poetry collections, manuals for auto repair, etc.) You have only 2-3 minutes so be sure to include: your genre, title, logline, plot summary in 50 words or less, and hint of your personality!
Why: The aspiring author with the best pitch from each session will be invited to directly submit the full proposal to Pandamoon Publishing without waiting for the annual submission window to re-open.
Does a pitch party really work? Sometimes yes, sometimes no. But it will never work for you if you don’t try.
Not ready to pitch yet? Come listen to others and prepare for your chance in the future.
I borrowed this post from DVG Books & Plays. I encourage you to hop over there and check out his fabulous content.
See you in Chicago!
Murder Girls by Christine Morgan completely took me by surprise, and I love that. It came to my attention because it was edited by my internet-bestie (she might not feel the same way so don’t tell her I said that) Melodie Ladner. Melodie writes Facebook status updates that make me spit my coffee at the screen in fits of surprise laughter. So I was interested to read the work she edited.
There are five protagonists (or antagonists, depending on how you look at it). Having so many could have been confusing, or their differences could have been stereotypical like the Spice Girls. No offense to you Spice Girl fans, but you know what I mean. One’s cute, one’s athletic, one’s a stuck-up bitch. But somehow, Christine Morgan pulls this off. The characters are very different from one another, but in ways that you and I are different from our friends. And after the first chapter it’s easy to remember who is who.
Murder Girls is a satirical coming-of-age story. These five young women are figuring out how they want to live, and how they want to kill. It’s often cringe-inducing, but there’s enough dark humor sprinkled in to bring relief.
The premise is a little out there. But believing that all five girls would go along with the decision to murder is easy once you get to know them. And Morgan makes sure you get to know them all without force-feeding their stories. The setting descriptions are rich, and the scenes are easy to visualize, even when you’re rather not.
Murder Girls is a fun, suspenseful read that leaves you wanting more.